One of the early templates Monetization model and making the game more casual-friendly More likely than not, we have to pace our delivery and remind ourselves we are running a marathon and not a sprint.” “Being able to deliver the game on time, with maximum stability and with a growing feature list is simply not realistic. “As a result, there must be trade-offs in terms of managing the project,” Loh says. He realizes that people need to relax and keep their minds fresh to be creative. To cope with the stress and prevent burnout, Loh tries to have the team work on a predictable schedule with very little overtime. Just the design phase alone, without any art support, has taken three years.” In short, to get to where we are has taken a long time. Moments like these are very painful for the creator.
“We have ripped out a whole month of work because we were not happy with the outcome. “The most challenging aspect is mental,” Loh notes. This means sometimes arguing with each other and cutting out things that someone on the team might be passionate about. “We value flexibility above all, as we feel that this is what will eventually allow our game to be successful in the long run.”Īccording to Loh, the biggest challenge so far has been learning to develop the game within physical and time constraints.
#SUPER MARIO WORLD SPRITES RESOURCE SOFTWARE#
“We work experimentally and abide by the continuous software development philosophy, which allows us to always be able to improve and implement feedback from internal or external sources,” Loh explains. The studio is still small, so they have a flat structure, with everyone getting a voice on the way to fulfill their shared vision. In 2020, Loh was able to add more people to the team, including artists, programmers, and marketers. “The multi-platform nature of it means our aspiration to publish on different platforms would be relatively easy,” he notes. This was his first “deep dive into making games,” so he had to learn everything on the go, including programming.ĭeath or Glory is built with GameMaker, which Loh describes as a user-friendly game engine. Loh started developing Death or Glory in 2017, working on core mechanics, game design, and early prototypes for three years. 😎 #DeathOrGlory #gamedev #indiedev /D6e2q0fd2cįirst deep dive into gamedev and managing the small studio Here’s a behind-the-scenes look at how we made our fear effect work in-game, using #GameMakerStudio. “These systems are tailor-made to express the feel of different combatants.”ĭistilled Gaming wants to make their game character-based and character mechanic-driven, giving every character their own deck, battle style, and unique cards specific to them. “For example, a werewolf might go berserk, resulting in a sudden burst of attacks, while a mage may need to gradually build its mana,” Loh explains. It allows the team to fit every fantasy or sci-fi trope imaginable into the game, with characters ranging from battle mechs and ninjas to vampires and paladins all facing each other in the battleground. This results in a very dynamic playstyle where every card being played matters, either with a massive combo potential or being blocked and giving the opponent the initiative.”Īnother distinctive feature of Death or Glory is what Distilled Gaming calls a “Universal Combat System” (UCS). “Every move can be countered and a reversal can be stopped. “We translated this into a unique system where control of combat switches back and forth between two players depending on play and counter play,” Loh says. The idea was to blur the line between CCG and fighting genres. With Death or Glory, Loh tried to take the best out of the MTG and Street Fighter worlds, the two games that were his biggest inspirations. “Believing at the highest level that both activities are essentially sequences of play and counter play, I decided to fuse the two genres together, creating a CCG that is about fighting but emphasizing the tactical mind-game nature of combat.” “The Hong Kong Kung Fu comic scene also had a huge influence on me,” Loh says. The love for fighting games and martial arts was another thing that shaped his tastes and preferences. He used to play Magic the Gathering during his school days and was captivated by the strategy and mind games between players. Loh’s journey started with classic card games. He describes his studio as a “bunch of gamers that want to create something for ourselves and everyone else to enjoy.” Distilled Gaming is a small team of five founded by Roy Loh.
0 kommentar(er)
